Yikes. Things are pretty strained between Max and Isaac. But they’ll work it out, right?
Yikes. Things are pretty strained between Max and Isaac. But they’ll work it out, right?
Man, this dinner at the Finkelsteins is getting pretty awkward. Should we leave? Or would that be rude? Or is it more rude to stay? I never know what to do in these situations.
Oh, and there’s a preview of next week’s page below.
In next week’s page, salt will be passed! Water will be refilled! But what of dessert? (It’s hard to drum up excitement for a dinner scene.)
The last ten years or so have been a renaissance for comic book movies. Not only have Marvel and DC had blockbusters based on their characters, but even the independents have seen successful big- and small-screen adaptations, such as the Hellboy movies, Kick-Ass, the Walking Dead TV series, and others. Even non-superhero comics, like Ghost World, A History of Violence, and Road to Perdition have been adapted.
When you think about it, that’s kind of amazing. The problem with comic book adaptations is that things that seem perfectly at home on the page don’t always work so well on the screen. Filmmakers are forced to choose which elements will make the transition between mediums, and which won’t. They also have to satisfy both the fan community and the movie-going public at large. That’s no easy task. Fans want the utmost respect for the source material, which means minimum deviations. But the average person looking for a weekend distraction just wants a cohesive and entertaining story. The simple truth is that there’s no good way to condense decades of back-story and minutia into a two-hour movie and make everyone happy. ↓ Read the rest of this entry…
Now that Hartmann and Question Mark are best friends, we’ll be checking in with Max. You can see a preview of the next page below.